‘Random Dances and (A)Tonalities’
1 hour ago
There's man all over for you, blaming on his boots the fault of his feet.
She was intent on knowing all Nils had to tell her. If she could have opened his head, she would have drunk his brain like soup and never been quite sated. The image, as it came to her, appalled and excited her. It was the kind of thought Lilith might have had.
They had met first as children in a dream-bright New York, a city on the cusp of new maturity, a city intent on straight lines, a rigid geography, mappable, knowable and cognizant of law. Here, they were in another island city, a soft irregular city, dismissive of straight lines and certain ways, dizzyingly circular. Here space was trimmed but went untamed. It was jumbled and crosshatched. Here all was languorously mortal, in love with its own dying.
This, for each of them, is how they make use of life. They unpick and rearrange it. From its jumble, its dense cross-hatchings, they might take one line, and follow that. They will pretend not to know where the line is leading, but the writer always knows. It leads to the reader. The line must loop about the reader, and the reader who accepts the bond becomes a happy prisoner.